![]() ![]() Janáček kept the cuttings of the anonymous poems about a gypsy girl that had been published in the Brno newspaper Lidové noviny on 14 and (entitled ‘From the writings of a self-taught man’), and he wrote to Kamila on 10 August 1917 after his return from Luhačovice, telling her that he had spent the afternoons back in Brno ‘composing a number of motifs for those lovely verses about that gypsy love. The earliest work to be inspired by their meeting was The diary of one who disappeared (JW V/12), a song cycle for tenor, contralto, female voices and piano. Hyperion’s sound is superfine and wonderfully natural … I suspect himself would have been most moved by this exceptional performance’ (MusicWeb International) » Moreĭuring a visit to the Moravian spa town of Luhačovice in July 1917, Janáček met Kamila Stösslová for the first time-a life-changing encounter. It strikes me that Drake may actually be the one pulling the strings his flexibility and ear for detail are exceptional … this interpretation of the Diary surely stands among the best of all, and in terms of modern recordings I feel it trumps the Bostridge/Adès version ultimately by dint of its searing theatricality and the consistently focused performances of these performers. In this sequence he is especially outstanding-I baulk at using the conventional term ‘accompanist’. While much of this is down to Spence’s judiciously deployed dramatic instincts (and his seemingly excellent Czech) the common denominator in all 22 numbers of the Diary here is in fact the pianist Julius Drake. He has been part of bands like Sweeney's Men in the mid 1960s and Planxty in the 1970s.įollowing Planxty, Irvine joined fellow trad outfits Patrick Street, Mozaik, LAPD and recently Usher's Island.‘Spence is unquestionably one of our finest singing actors, and his palpable enthusiasm for Janáček is most convenient, given that he is first among the performers here who provide this infrequently performed masterpiece with its most convincing modern recording to date. Mr Irvine was in possession of the instruments for about four decades. "The chaos at airports is such that they may be in Dublin, Frankfurt or Copenhagen." Posting on his Facebook page last month Mr Irvine, who earlier this year celebrated his milestone birthday with a celebratory gig at Vicar Street in Dublin, said: "My two Sobell instruments, a guitar-bouzouki & a mandola, probably valued in excess of €16,000, failed to arrive and have not been traced yet. To everybody who has helped me or shown concern about my missing instruments, I give my heartiest thanks. I can't tell you how it feels to have them back. "They were rushed to Dublin and delivered to my door yesterday evening. ![]() Posting on social media, Mr Irvine said that he had received an email from Scandinavian Airlines to tell him they had found his instruments. On Monday I got an email from SAS to tell me……THEY’D FOUND MY INSTRUMENTS!!! They were rushed to Dublin & delivered to my door yesterday evening!!- Andy Irvine August 3, 2022 ![]() Andy had travelled through Frankfurt and on to Copenhagen with his carriers being Lufthansa and Scandinavian Airlines. ![]()
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